Charles Hackett
Bohemian Girl, "Then you'll remember me"; Don Giovanni, "Il Mio
Tesoro"; Il Barbiere di Siviglia, "Ecco ridente in cielo"; Lucia
di Lammermoor, "Veranno a te" (with Maria Barrientos); La Boheme,
"Che Gelida Manina"; La Boheme, "Ah, Mimi, tu piu non
torni" (with Riccardo Stracciari); Romeo et Juliette, "L'amour...Ah!
leve-toi, soleil"; Manon, "Je suis seul...Ah, fuyez, douce
image"; Manon, "Instant charmant...En fermant les yeux"; Mignon,
"Ah! non credevi tu"; Faust "All Hail, Thou Dwelling"
[Salut! demeure chaste et pure]; (Schubert), "Who is Sylvia" [An
Sylvia, op. 106, no. 4]; (Tosti), "Parted"; (Tosti), "Could
I" [Vorrei]; (Robinson), "The Snowy Breasted Pearl"; In A
Persian Garden, "Ah, moon of my delight"; (Aylward-Hickey),
"Beloved it is Morn"; (Coates-Barrie),"I Heard you
Singing"; (McGill), "Duna"; (Wilmott); "I Look into your
Garden"; Roberta, "The touch of your hand". [Marston 51005-2]
A successful concert singer turned opera star, Charles Hackett was born in
Worcester, Massachusetts. He was one of the first American singers to enjoy an
international in South America and Italy. He also had many successful seasons
at the Metropolitan Opera until his untimely death in 1941. Hackett's
handsome, aristocratic stage presence and beautiful lyric instrument made him a
perfect interpreter of French and Italian "lyrico spinto" tenor
roles. His superb coloratura technique is demonstrated in the arias from
"Don Giovanni" and "The Barber of Seville." Hackett was a
contemporary (and friend) of Caruso and can equal the Italian tenor's passion
and velvet tones in the arias from "La Boheme". Hackett also had the
requisite musical refinement and taste for Romeo and Lescaut and indeed the
arias from "Manon" are splendid examples of his ravishing "mezza
voce singing." No texts or translations are provided; however, the
booklet is beautifully produced with many photographs of the singer including
an excellent biography by Lawrence F. Holdrige and charming recollections from
the tenor's son, Charles F. Hackett, Jr. Ward Marston's transfers are
impeccably done. His audio restoration successfully captures the full range
and beauty of this admirable tenor's vocal art.
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