HISTORY
PART 2
Alternations
to the Original Robby the Robot Costume
Robby the Robot underwent three substantive
alterations prior to its use on Lost in Space in 1966. These were:
a new dome, new arms, a new chest box. Additionally, he received a temporary
and superficial alteration in the form of a few dashes of yellow paint
for the episode "Condemned of Space" (1967). Certainly, falls onto hard
sound stage floors could easily have resulted in cracks, fractures, and
dents in the clear plastic dome. The other changes are more difficult to
explain.
In the following photos, you can
see these changes. In the left column are photos and screengrabs of Robby
from Forbidden Planet and from the Invisible Boy. In the
right column are photos of Robby from his two appearances on Lost in
Space.
The New Dome
In the plastic
dome seen in Forbidden Planet
(1956) and the Invisible Boy (1957),
the bottom back rim of the dome that runs along the top of the cooling
vents is scalloped. A more dramatic saw tooth pattern is especially apparent
in the stepped rise in the dome at the beginning of the cooling vents,
just below and to the right of the ear sensors and just behind the mouth
opening. The new dome used in Lost in Space has abandoned this scalloping
and has substituted straight edges.
Additionally,
a solid, integrated keyhole-shaped gasket was added behind the ears and
vertically arranged cooling rings. Previously, there had only been a rectangular
gasket behind the cooling rings.
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Invisible Boy (1957)
Note the scalloping of the lower
edge of the back of the dome |
Lost in Space, "Condemned
of Space" (1967)
Note the lack of scalloping of the
lower edge of the back of the dome. The dome is cut in a perfectly straight
line. |
Invisible Boy (1957)
Robby's right sensor ring is intact. |
Lost in Space, "Condemned
of Space" (1967). While only a temporary alteration of the dome area, this
screengrab reveals that Robby's right sensor ring has been removed. Experts
agree that this ring was removed to allow Robby to pass through the triangular
shaped doorways of the prison ship where he served as the robot guard in
this episode. |
In this screen grab from Forbidden
Planet, note the medial vertical dorsal crest that runs up from the
back of the dome. This element was also present in Invisible Boy
(1957). |
Lost in Space, "War of the
Robots" (1966)
Here is a good shot of the lower
edge of the back of the dome. |
A perfect shot of the medial crest
from The Invisible Boy. Note the obvious scalloping |
In The Twilight Zone episode
"Uncle Simon" (1963), we have a unique view of the new dome unpainted.
Note the lack of a medial crest, the lack of scalloping, and the paucity
of cooling fins. I will refrain from commenting on the removal of Robby's
brain and its replacement by a horrible tin bucket. |
Here, you can see that there is
no gasket around the circular ear piece. There is, however, a flat rectangular
gasket into which the cooling rings are inserted. This gasket is then attached
to the outside of the dome. |
The new dome has an unusual new
feature. A single keyhole-shaped gasket has been added behind the ear piece
and cooling rings. This new, larger gasket has taken the place of the old
rectangular gasket that previously adhered to the dome beneath the cooling
rings.
Experts speculate that this larger,
more comprehensive gasket was added because the hole in the plastic dome
through which the ear protrudes was carelessly cut. It may merely be a
patch to disguise poor workmanship, but it nevertheless enhances the appearance
of Robby by adding an interesting visual detail that unifies those elements
that protrude through the dome. |
Another
view showing the lack of a raised circular gasket behind the round ear
piece. |
Here is another good shot of the
keyhole-shaped gasket. |
The New Arms
Robby's arms are similar in conception
to the arms of the Lost in Space robot, but there are major differences.
Instead of collapsible rubber bellows, Robby's arms are a series of interlocking
wooden rings held together by rubber bellows. These rings are found between
the wrists and the ball joint that partially protrudes from the shoulder.
In Forbidden Planet and the Invisible Boy, three rings (four
at the most) are visible.
For Lost in Space, however,
Robby's arms were more than doubled in length. Instead of three rings,
Robby now has at least seven visible rings. In some shots, I have counted
eight rings emerging from the ball joint. While there may have been many
reasons for the change in arm length, including the size of the man inside
the costume, a practical advantage of the increased length is a great range
of arm motion and an enhancement in Robby's ability to pick up and carry
objects.
Forbidden Planet (1956).
In this publicity shot, one can count four arm rings. |
Lost in Space, "War of the
Robots" (1966). In this screen grab, one can easily count seven rings in
Robby's left arm. |
Invisible Boy (1957). In
this publicity still, the standard minimum of three rings are visible. |
Lost in Space, "War of the
Robots" (1966). In this screen grab, one can count seven rings in Robby's
right arm. |
Invisible Boy (1957). This
is an especially good shot of the rubber bellows behind the rings. |
Lost in Space, "Condemned
of Space" (1967). In this screengrab, one can count six rings. |
The New Chest
Box
For Lost in Space, Robby's chest
box (also called the "heart box") was redesigned. The script for "War of
the Robots" requires that a panel open in the robotoid's chest so that
a "neutron tube gun" could be fired.
First, Robby's torso had been ingeniously
designed so that it could be placed upside down just as easily as right
side up. In other words, the top of the torso is identical to the bottom.
For Lost in Space, the torso was placed upside down on the waist
section.
Second, the "piano keys" that pulsed
alternately were masked over with a metal plate. In "Condemned of Space"
(1967), this plate was colored red. It is possible that it was also red
in "War of the Robots" (1966), but this is difficult to ascertain because
it was filmed in black and white.
Third, the function of the "analyzing
hopper" door was changed. In Forbidden Planet, this aperture opened
up to receive items for analysis. In
Invisible Boy, the aperture
opens to reveal a central circular socket used to hook Robby up to the
evil super computer. In "War of the Robots" (1966), the upside down hopper
opens up to reveal that the central socket has been transformed into the
barrel of a "neutron tube gun." In "Condemned of Space": (1967), the "analyzing
hopper" never opens.
Fourth, and finally, for both episodes
of Lost in Space, the two rotating censors have been replace with
a copper plate with three glass panes behind which pulsating lights are
engaged in a chase sequence.
Forbidden Planet (1956) |
Lost in Space, "War of the
Robots" (1966) |
Lost in Space, "War of the
Robots" (1966) |
Invisible Boy (1957) |
Lost in Space, "War of the
Robots" (1966) |
Lost in Space, "War of the
Robots" (1966) |
Forbidden Planet (1956) |
Lost in Space, "War of the
Robots" (1966) |
Lost in Space, "War of the
Robots" (1966) |
Forbidden Planet (1956) |
Lost in Space, "Condemned
of Space" (1967). Here, the red color of the plate covering the "piano
keys" is seen. |
The Yellow
Paint
The simplest and perhaps the most obvious
alteration that Robby underwent for "Condemned of Space" (1967) was the
addition of a few yellow stripes: two along each side of the mouth; two
around each arm; one around each wrist; one around each knee; and one around
each foot. The yellow stripes coordinated nicely with the yellow stripes
on the outside of the prison ship, the Vera Castle, where Robby job worked
as a prison guard.
Forbidden Planet (1956) |
"Condemned of Space" (1967) |
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